ReFocus: Jean-Michel Basquiat

January 18, 2013 1 comment Open printer friendly version of this article Print Article

The 1980s brought a new wave of exciting and larger than life Painter Celebrities, but perhaps none was more iconic of the New America than Basquiat. Self taught, he was also self invented by the age of 22 and arguably the first African American Superstar of Contemporary Art. Warhol was widely considered the midwife of the strident tour de force, but Barbara Colaciello the surprising thinks Basquiat was on his way without the whitehaired diety of Pop Art. In any case, the MOCA Jacksonville is featuring a few of Basquiat's colorful original painting as part of the ReFocus: Art of the 1980s---on loan from local Impressario Bruce Dempsey. Join us after the jump for more information about the artist, and take advantage of the opportunity to see the real thing at the MOCAJacksonville.

Jean Michel Basquiat (American, 1960–1988), one of the first African-American artists to reach international stature and wealth in the art world, had a short but prolific career, rising to fame early for his fusion of multicultural symbols, biting social commentary, distinctive graphic style, and often temperamental personality. Born in Brooklyn, NY, Basquiat drew and visited museums regularly from an early age, and many of his childhood interests (ranging from cartoons and Alfred Hitchcock films to anatomy and French and Spanish books) would prove influential in his later work. Basquiat dropped out of school at the age of 17 and began creating art, gaining fame for his invented character SAMO (“Same Old Shit”), who made a living peddling “fake” religion.

Basquiat depicted SAMO’s signature in Graffiti Art with cryptic messages in the late 1970s and early 1980s, and began painting on found materials, buildings, t-shirts, and commercial items. He delved into the urban 1980s avant-garde culture of New York City, creating wildly expressive paintings, which earned him considerable acclaim by 1982, following his first solo exhibition. In 1983 he befriended his idol Andy Warhol (American, 1928-1987), and the two collaborated on several projects. Basquiat combined African, Aztec, Hispanic, and ancient Roman and Greek imagery with his own invented iconography and graphic mark, in works that emphasized the physical and the gestural aspects of the artistic process.

Ever conscious of his identity as an African-American in the art world, Basquiat’s work was rife with imagery commenting on race relations in America and drawing from culture of the African Diaspora. His prevalent drug use became a greater concern to his friends and colleagues in the mid-1980s, and the artist’s fiery temper and capriciousness increased, particularly when working with dealers or developing his oeuvre. Warhol’s death in 1987 deeply affected Basquiat, and he painted several final works in a frenzy, full of apocalyptic imagery but with a confident, mature style. He died of a drug overdose in 1988, ending a brief but brilliant and unique career

For a timeline of Basquiat's life and career, check out this pretty cool detailed page at his official website: